Set during the Gilded Age in New York, our leading man here is Newland Archer(Daniel Day-Lewis), who is about to marry into another well connected family with May Welland(Winona Ryder) and couldn't be happier or so it seems.
When May's cousin, Countess Ellen Olenska(Michelle Pfeiffer) arrives in town, her reputation for scandal threatens the insular social order of their world. Newland does what he can to smooth the ruffled feathers but finds it hard pressed to blame Ellen for making what turned out to be a bad marriage for her.
When assigned to Ellen's divorce case by his law firm, Newland has to tell her the realities of New York society("Everything is labeled but everyone is not") and while he does succeed in persuading her to hold off on the divorce, Newland fervently wishes that she was free to be with him:
Newland does marry May yet even after a year's separation, finds that his passion for Ellen has not died down. Rather, it has increased and those feelings are shared by her.
With Ellen back in his social circle, he makes many excuses to be alone with her but their intimacy is never truly consummated. Despite the pain they might cause to both themselves and others, Ellen and Newland find it hard to resist taking that next step:
As Newland makes plans with Ellen, he soon discovers that his secret is not as secret as he thinks. Sooner than he expected, Newland realizes that this momentous decision in his life is not his alone to make.
Before I talk about the overall look of the film, I must make the case for May Welland. Repeatedly throughout the film, she is described as a shallow and rather unintelligent person, “ a curtain drawn over an emptiness.”
Granted, she’s doesn’t take an interest in things outside of her personal realm but May is not at all stupid. She knows full well Newland has doubts before and after their marriage and doesn’t hesitate to use what emotional weapons she has in her arsenal to get what she wants.
If anything, she’s more honest than he is when it comes to their relationship. Also, there’s no malice about her actions or intentions. May is just doing what a woman of her status was taught to do and she does it elegantly:
Scorsese spared no expense when it came to making this film as lush looking as possible. From the art on the walls to the table settings at a casual meal, the jewel box tones of this era highlight the hidden codes and hints of such a vicious circle of people.
The story itself is just as lovingly designed, with a wonderful cast that includes Richard E. Grant, Olivia Dukakis and Miriam Margolyes as Mrs. Manson Mingott aka "the dowager empress of New York society"-she is such a joy to watch! A special casting bonus is the narration that pops in at just the right moments, done by the late great Joanne Woodward, the perfect cap off to this feast of a film:
Please join us next time as we venture into Jane Austen country with 1995's Persuasion, the movie that got me reading Austen's work in the first place. I know that there are other versions with very fine qualities about them(which I have enjoyed) but I measure all of those against this one:
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