Our first feature presentation is the 2000 adaptation of Edith Wharton's The House of Mirth which stars Gillian Anderson as Lily Bart, a New York socialite in the late 19th century who is starting to age out of the marriage market.
Lily is lovely and charming enough to land a suitably rich husband yet she doesn't have much of a follow through mode when a target is in her sights.
The one man that does truly captivate her heart and mind is Lawrence Selden(Eric Stolz), a well to do lawyer who admires Lily yet is not in the marrying for social advancement game-part of that is due to having affairs with married women but we'll get to that soon enough!
Before I get back to the plot, it must be said that the chemistry between Anderson and Stolz in these roles is a low hum of electric tension, which is precisely what such characters need to have on screen. Many of the casting choices in this film are excellent but the key parts were most important for this particular story and very well done indeed:
Part of Lily's problem is that most of of her friends are superficial at best and self serving at the worst.
While there are a few who wish her well such as social hanger-on Carry Fisher(Elizabeth McGovern), most of the women in her social circle are either overly judgemental like her Aunt Julia(Eleanor Bron) or false faced such as the quietly scheming cousin Grace Stepney(Jodhi May) who "reluctantly" tells her aunt of Lily's various misdeeds.
Those misdeeds come from Lily misunderstanding what it means when the husband of one of her good friends, Gus Trenor(Dan Ackroyd, who plays pompous entitlement extremely well here) offers to help her "invest" some money in order to pay her ever increasing bills. Turns out she takes him at his literal word and actually believes saying "thank you" is proper enough but as Gus says, "When a fellow pays for dinner, he's usually given a seat at the table." *shudder*
There's also Simon Rosedale(Anthony LaPaglia), a social climber who is honest enough about his intentions towards Lily but can't stand by her when things get rough. Worst of all of them is Bertha Dorset(Laura Linney) who hates her husband enough to openly cheat on him yet begrudges a former lover like Selden to being with anyone else, especially Lily. She's quite the frenemy from hell and as all of these forces gather about Lily to do her in, Selden is slow to stop her social downward spiral:
The deeply cut irony of all of this is that Lily Bart truly has principles. Yes, she makes many mistakes but when time and again, it is pointed out to her that by enacting a moral compromise or two, her situation can improve, Lily says no.
That does seem naive of her yet it's also honorable. As time goes on, Lily refuses to be on the level of her detractors such as Bertha(who she does have solid evidence of her adultery in the form of letters on) and regardless, she doesn't want to gain her social salvation in such an underhanded manner.
Granted, some of that reluctance is due to Selden's prior involvement with Bertha, however when push comes to shove, Lily would rather swallow the bitter pills that Bertha forces upon her in public than become as nasty as her former friend is:
The House of Mirth is not a happy tale to tell but it is beautifully told nonetheless. Writer/director Terence Davies does create visually appealing outdoor scenes yet it's those inside sections of the story that are the most memorable. If you enjoy elegant dialogue in ornate rooms, this is the movie for you!
What really seals the deal is that at times, the movie feels like a stage play and yes, that is a compliment. Lily's journey is one of those quietly brutal dramas that would make for a gripping Broadway production and it's chief mode of decoration is the emotional intensity that swirls up when least expected.
The strongest connective thread is the relationship between Lily and Selden, which is done to perfection by both actors no matter what setting they happen to be in. If you haven't seen THOM, I fully recommend it as it does the book justice while giving the story a few unique touches of it's own:
I do hope that you all enjoyed this first outing of Autumn in August and please do join us next time for more Edith Wharton entertainment as Martin Scorsese gives his operatic take on The Age of Innocence-popcorn is always welcome!:
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