Damsels no longer in distress on GOT, Food Network Star starts cooking and John Oliver's Last Week Tonight

As Tyrion's trial by combat went badly for him on Game of Thrones this week(oh,Oberyn, you really should've quite while you were ahead!) and other developments happened that will be the focus of the final two episodes this season, let us turn to the ladies for a moment.

With Lady Lyssa's unexpected departure, Littlefinger was up for some serious questioning by the neighboring nobility at the Eyrie as to what truly occured. They insisted upon speaking to his "niece" and lucky for him that they did, since Sansa used all of her wiles to convince them that he was not to blame and that Lyssa killed herself.

Granted, Sansa took a risk in telling them who she really was but it was a smart move as that revelation instantly gave validity to her words and a few well timed tears helped to seal the deal and save Littlefinger's neck. It's good to see Sansa finally take control of her situation and her new guardian may not realize it yet but she is well on her way to owning his sneaky self completely:

However for the Queen of Meereen, it was a sad letdown as Dany learned of Jorah's previous spying on her from Ser Barristan(who received his info via a mysterious courier).

While it is true that Jorah has always been loyal to her, his earlier deception might have been forgiven if he had confessed it to Dany far sooner himself. Her dismissing him from her queendom is pretty painful for all concerned but of all people, Jorah should understand how her position of power would be compromised if she easily overlooked his former deviousness and kept him in the inner circle:

The tenth season of Food Network Star began this Sunday, with a new batch of culinary hopefuls looking to get their shot at small screen celebrity.

It's a bit soon to pin point any potential front runners here but I do like a couple of folks so far. It was much simpler to see who was going to go home first and that dubious honor went to Donna, the over the top perky nutritionist. Not only was her party appetizer incredibly bitter, her goofy demeanor was equally appetite killing:

Donna does have a shot at getting back in the game as FNS is continuing their "Star Salvation" online series(similar to Top Chef's Last Chance Kitchen),where defeated competitors have another shot at staying on the show.

In a new twist, a couple of former FNS contestants from seasons past will be playing along. Martie was a real sweetheart during her first run but Chad was pretty obnoxious then and still appears to be now, so you can guess who I'm rooting for at the moment:

When John Oliver took over the Daily Show last year(due to John Stewart needing time off to make a movie), many speculated that he would be the one to have his own Comedy Central series next.

Instead, he went off to HBO and his once a week view of current events, Last Week Tonight, is a flat out success. Using his own brand of biting satire with the bonus of having more creative freedom with his content, Oliver has granted us a bounty of humorous riches, ranging from a snarky side eye to certain social trends to commenting on changes that are taking some longer to process than others.

Having a talented guy getting to spread his wings on cable like this is great and I hope his show gets more traction as it goes on. His bit about net neutrality actually encouraged enough people to comment at the FCC website so much that it crashed, which is a promising sign of things to come from LWT in the near future:

RANDOM NOTES:

HELL'S KITCHEN: Yep, Ramsey is still yelling at those would be head chefs and you would think by now that anyone entering this competition would bone up on the basics before heading in,but then again, it wouldn't be as much fun if they did, now would it?:

Some musings about Maleficent

The big movie at the box office this past weekend was Maleficent, the modern live action take on the classic Disney animated feature Sleeping Beauty.

 Not only did the film take in a hefty cash flow, it also stirred up a brew of debates amongst reviewers who were torn between liking the fantasy elements on screen and being troubled by certain dark aspects of the story.

A major bone of contention has to do with Maleficent's motives for cursing the infant princess in the first place*spoiler alert, dead ahead!*-it seems that once upon a time, the current royal father was a childhood sweetheart of the fairy ruler and in order to claim the mortal throne, he needed proof of her demise. Using their former bond of friendship, he drugged Maleficent and cut off her wings which understandably made her desire some righteous payback. It's also not hard to understand how that particular plot point could cause a few shudders in the audience.

One thing that everyone does appear to agree on is how amazing Angelina is in this role. She does possess a villainous flair( I would've cast her as  a vampire long ago) that certainly suits this project to a fare thee well:

The decision to see or not see this movie(I haven't yet) really depends on how invested you are in the Sleeping Beauty mythos. Personally, I'm more of a Snow White person and that is mainly due to the Evil Queen and yes, even the seven dwarfs who have a lot more personality than Princess Aurora does.

Don't get me wrong,Maleficent is a great Disney diva with a fiercely fabulous look and the whole turning into a dragon deal at the end is pretty sweet. It's just that Aurora is rather bland(she has the least amount of lines of any Disney princess, past or present) and while the fairies having a fight over the party dress color routine is cute, it's not enough to satisfy my fairy tale flavor palate:

Also, I hate to point this out but in the interest of literary accuracy, I have to bring forward the fact that the true version of this story is deeply disturbing to begin with.

If you only know the 1959 Disney cartoon, you might be surprised to learn that the original French version(and subsequent others) have the magically induced coma maiden not be awakened by a kiss from her true love. Instead, she is taken advantage of sexually and in some cases, gives birth to two children!

That doesn't excuse any of the upsetting details in Maleficent but it is important to note that the majority of fairy tales that are seen as harmless children's bedtime stories have extremely twisted roots in folklore and legend from a harsher period of time than our own:

A redeeming factor in this version,however, is that Maleficent and Aurora form a surrogate mother-daughter bond(due to her other fairy guardians being crappy babysitters) that changes their overall relationship.

That twist to the tale sounds interesting and if given the opportunity, I might want to check this movie out at some point. In the meanwhile, it's good to have an excuse to revel in the Disney evil diva glory there. I'm not alone in loving the bad girls and would love to see more madams of mean get the chance to strut their stuff, so have at it, ladies!:

The Year of Freddy Fear spends some quality time with The Dream Child

Welcome once again to our look at the Nightmare on Elm Street legacy known as The Year of Freddy Fear and this month's scary selection is Nightmare on Elm Street 5: The Dream Child.

 This film is the last of what I call a mini-trilogy within the series(The Dream Team, if you will) and it picks up a few years after the events of Dream Master with Alice and Dan,the survivors of that sleepy slasher attack. It's graduation time for them both, along with a few new friends like Greta, a would-be model with a stage mother from hell, Mark a nerdy cartoonist with a crush on Greta and Yvonne, the down to earth swimmer.

While things seem to be going well for Alice, with her dad now a recovering alcoholic on good terms with her and a trip to Paris in the works for her and Dan, she is troubled by nightmares that involve Amanda Kruegar(played by a younger actress than in the character's earlier appearance in Dream Warriors) and how she came to be pregnant with Freddy. Those dreams turn out to be harbingers of doom that announce the return of our man Fred, strongly hinting the back door that he found inside Alice but she's not too quick on the uptake at first:

Yes, Alice is pregnant and Freddy is using the baby's dreams to start up his night stalking yet again. His first victim is Dan via a gruesome motorcycle transformation(the death sequence was heavily edited in order to get the film an R rating as well as Greta's last supper scene) and Alice is left with a lot of dilemmas both awake and asleep.

For one thing, her insistence on discussing Freddy openly causes concern not only amongst her friends but a few adults such as Dan's grieving parents who want to adopt the baby as soon as it's born and very willing to call Alice an unstable "single mother." First of all, she's a single mom only because Dan is dead and secondly, what kind of doctor rats on his patient like that? Hello, HIPA laws, people!

Fortunately, Alice is determined to keep her baby safe from any threats and her dad stands by her, which is quite a change from how most parents are portrayed in NOES. The man has his flaws but he offers Alice plenty of support and refuses to take crap from his potential in-laws, so good on him!:

Alice's strong maternal instincts help her bond with the trapped spirit of Amanda Kruegar, who plays a vital role in stopping Freddy this time out, along with Jacob(Alice's baby who establishes a psychic communication with his mother and is shown as a ten year old boy).

Amanda's participation here brings this trilogy full circle as an awake person is sent to find the grave of a departed one in order to mend the balance between worlds. Only this time, it's in freeing Amanda that Freddy is sent packing and where he ends up is truly a Freudian nightmare.

The Dream Child is not considered anyone's favorite movie in the series(Robert Englund has said that it's one of his least enjoyable depictions of Freddy) and while it did make money, it also made a lot of people squirm in their seats for reasons other than the usual.

What was that,you ask? Well, in my humble opinion, it was all of the pregnancy imagery and themes which would make both guys and gals feel a tad queasy there. From the beginning of the dream sequence where Alice is trapped in a flooding shower stall to the boiler room pool that Yvonne is tossed into,not to mention the gruesome birth reenactment that Alice and Amanda are forced to relive, the visual suggestions of the womb are not what most NOES fans bargained for.

I give this movie a lot of credit for daring to take this direction. Even the original poster art for Dream Child ruffled some feathers(shown above) for having a fetus instead of the baby carriage in Freddy's clutches that they eventually went with. They touched on some real life fears(which any good horror film should do) such as facing the world after high school, teen pregnancy, eating disorders and yes, abortion.

 At one point in the movie, Mark politely hints to Alice that one way to stop Freddy might be going that route and while Alice refuses, it is noteworthy to point out that most mainstream genre fare for young people around that time period wouldn't even mention that option. Way ahead of it's time this film was in dealing with the horrors of teen sexuality:

So, while NOES 5 may have not been a fan's sweet dream, it did offer plenty of fearsome food for thought there. I do wish that Alice had made a return in one of the later films(her storyline and Jacob's as well was continued in the NOES graphic novels) because she was a real solid leading lady and her performance here makes her as memorable as Nancy,at least to me.

 Tune in next time as The Year of Freddy Fear takes a summer job at The Mangler and until then, don't forget to tip your babysitter as generously as possible:

Mad Men flies to the moon,the delights of Penny Dreadful and another session with Masters of Sex

Mad Men gave us a mid-season finale that certainly felt like the beginning of the end for some, as long time partner of the firm Bert Cooper passed away during the historic moon landing(an event that affected just about every character) and for once Rodger had to take the reins in order to keep things going along there.

There were some milestones for Don and Peggy as well, with the end of his marriage being pretty much acknowledged( that was pretty much a forgone conclusion at this point but one that needed to be recognized) and Peggy getting her big presentation moment with Burger Chef, Peggy's own "Carousel" ride if you will. She was amazing to behold and having Don silently cheering her on during that was priceless.

It does seem cruel to make us wait until 2015 for the remainder of the series but then again, some pleasures are best enjoyed when consumed slowly. I do wonder if the rest of the episodes of this season will take place in 1969 or will they make another time jump to wrap things up? At least this is worth waiting for:

So far, I've watched the first three episodes of Showtime's new supernatural series  Penny Dreadful and while it was what I expected it to be, there were some surprises that kept me intrigued to go back for more.

The main plot thread of this period ensemble piece is Sir Malcolm Murray's search for his missing daughter Mina, who is in the clutches of a master vampire, and with the help of unusual allies such as mysterious psychic Vanessa Ives and ex-pat showman Ethan Chandler, are exploring other dark and secret corners of Victorian era London.

We also have Dorian Gray on the fringes of the story but another well known literary character with a bigger role to play here is Dr. Frankenstein, who we see helping his human creation Proteus adjust to his renewed life. However, a shock and awe moment comes when the not so good doctor's first born creature comes calling and makes a very brutal demand on his wayward creator:

What I like about that subplot is how it strongly harkens back to the original Mary Shelley novel in it's take on the creature yet adds a few new wrinkles that work for this particular series.

Also, there are other elements of interest such as the possibility of ancient Egyptian gods attempting a convergence that could bring about an eternal darkness, a sickly prostitute who may be the love interest of more than one character and that there may be a werewolf lurking in their midst(my vote is for Ethan on that one).

Penny Dreadful has some real meat on it's gnawed bones and arriving as it does during this time of TV show wind down is most opportune. I just hope that the promise that has been built up thus far will provide a proper pay off by the end of this initial run:

 Another Showtime series on the returning horizon is the second season of Masters of Sex, which plans to schedule their next appointment on July 13.

The first season had it's ups and downs yet maintained a solid sense of character development as Bill and Virginia went on with their research(not to mention an awkward romance) and learning about the social history of the time period was an added bonus.

 There are so many shows set for the summer that's become hard to pick and choose from them all but MOS is a definite must-see for me and worth catching up on for those curious to know more. Believe me, this show is not simply "Mad Men with more sex"-brains and beauty are both on display and held to the highest standards:

RANDOM NOTES:

HEROES OF COSPLAY: A new season of this series that goes on the road with a number of comic book/ sci-fi/ fantasy convention costumed competitors is back with some new faces and fresh outfits to wear. As much as dressing up like your favorite pop culture character can be, it also can be a bit exhausting to put together so think of this as living vicariously thru people who live vicariously thru these characters as well( way too meta?):

Get in on some Jane Austen auction action!

For many literary fans, the home stead of their favorite writer is considered sacred ground and when it comes to Jane Austen, her Chawton residence is a place where her dearly devoted readers flock to pay their due respects, not to mention get a peek at  her humble writing table and see if that parlor door truly squeaks.

The Jane Austen House Museum was one of the stops on my trip to Jane Austen's England with the Republic of Pemberley some years back and most definitely one of the high points of that journey. From the friendly tour guides to the delights of seeing the rooms where Jane and her family shared their days to getting a look at a music book that Jane herself copied down many popular pieces of the day for home entertainment purposes, it was truly a good time had by all.

Since the museum is funded by public donations, a number of Jane Austen themed writers have banded together to raise funds for the JAHM with a number of fabulous prizes being offered for your generous contribution towards keeping this literary landmark flourishing.

Such items include a number of books,including a  signed copy of Jane Austen Made Me Do It, specially made Austen scented soaps plus bookmarks,keychains and buttons,which is where I come in!

Yes, amongst the Jane Austen treasures are my donation of Fanny Price, Slayer of Vampires pins which will be in more than one of the prize packs and I was most happy to do my bit in helping the JAHM out. You can make your donations here online and off line donations can also be made as well.

The fundraiser is now open and will run until June 10, with the hoped for goal of $2000(it would be nice if that number goes higher than that but we shall see).  I'm very honored to be along side such talented writers such as Laurel Ann Nattress, Abigail Reynolds, Jack Caldwell, Jane Odiwe and the many others in the Austenesque community who are eager to support such a worthy cause. My only regret is that we don't have Maddy Bates' unique brand of homemade preserves to offer because those interesting edibles are deliciously Emma Approved:):

The She-Hulk/David Goyer Saga and why it pays to think before you speak

A recent uproar in comic book fan circles came about due to a podcast that had a group panel discussion where screenwriter David Goyer made some incredibly rude remarks about the Marvel Comic super heroine She-Hulk, saying that she was created in order to provide certain services to the Incredible Hulk and I don't mean asking him if he wants fries with his order.

Goyer also said a few disparaging things about the DC Comics character Martian Manhunter, which caused some concern as well since not only he is on board for the upcoming Superman Vs. Batman movie but possibly a MM movie as well.

 In addition, since Wonder Woman is planned to be part of the S/B film(subtitled "Dark Justice"), you can understand why fans would be concerned about having a writer who thinks it's funny to call a strong superheroine like She-Hulk a "big green porn star" and it didn't help that the host of the podcast joked that her real name was "Slut-Hulk".

You guys do know that She-Hulk is Bruce Banner's cousin, right? Not to mention that she's a lawyer who has been a member of several superhero teams, including The Avengers(imagine She-Hulk and Black Widow in their own movie, how awesome would that be?).  I think you ought to know a little something about these characters that you're talking about, especially Goyer whose job it is to write about them. Doing your homework doesn't hurt, that's all I'm saying:

Now, there are some who insist that these remarks were "only a joke,geez!" and not to get on Goyer's case here. However, listening and/or reading his comments, you can't help but sense a disdain on his part about the audience for this genre by implying, for one thing, that only non sexually active people are invested in this kind of thing.

 For a man who has written screen adaptations for both Marvel and DC characters ( Blade,Ghost Writer and Batman to name a few) to be quick to sneer at the folks who provide his bread and butter is rather telling to me. If you're not happy in your work, sir, perhaps you need to take a break from it. I'm not saying he shouldn't work in this field at all but maybe he's feeling a bit burned out at this point, which is understandable.

By using your verbal powers for an easy laugh, you only make yourself look bad in the process as well as appear uninformed about this genre, something that even casual fans are fast to pick up on. If there is a dream project that you've had to hold off on due to this current workload, you might want to take time off and recharge your creative batteries by making that long awaited vision come to life. I may be way off the mark but that is what my spider sense is telling me:

And I wasn't kidding about the greatness of a Black Widow/She-Hulk movie. Frankly, I think that there's a better chance of that happening that any decent version of Wonder Woman hitting the big screen within the next few years.

Black Widow has so far appeared in three Marvel outings(and is set to be in the next Avengers movie) with possible plans for her to have a solo movie sometime soon. In all three films, she has been portrayed well, thanks to actress Scarlett Johansson and the scripts which showcase the strength and savvy of the character as she is written in the original comics.

Having Black Widow and She-Hulk to work together to save the day would be like having gourmet peanut butter and high powered fruit spread, as both ladies have much in common with their impressive fighting skills, sharp wits and being willing to use certain stereotypes as weapons against their enemies:

 What really troubles me about all of this is the sexism and while there are more real world discussions about this topic going on right now, in my opinion it is important to note the influence of pop culture on this still ongoing problem in society.

I am not calling for films,books or any other entertainment format to be a moral soapbox on this matter but it would help greatly to have more powerful and positive depictions of female characters in the sci-fi/fantasy genre getting as much attention for their personalities as they do for the fit of their costumes.

Believe it or not,Hollywood, there are both men and women out there who would find a strong,smart and sexy female lead to be just as exciting as any male action star and yes, if done right, you can make some decent bank from that. Take a lesson from Batman Returns,folks-Catwoman is what made that film so amazingly awesome and if they had been smart enough to get Michelle Pfeiffer (along with a well written screenplay) for a solo movie, she would've rivaled Batman himself as a star in the DC Comics film universe. Instead, we got the unholy mess that was the Halle Berry Catwoman film.

Marvel goofed up on this front too, with the Elektra movie but they seemed to have learned from that experience while DC is still dragging it's feet towards even getting Wonder Woman on any screen, big or small. You need to do better by your audience,Hollywood, because the box office payback in the long run will truly be a bitch:

Small screen sci-fi and fantasy delights to warm up your summer nights

We're at the start of the summer entertainment season this holiday weekend and while many of us will be flocking to the multiplex for some indoor fun, some folks just won't be able to see the likes of Godzilla or X-Men: Days of Future Past due to personal budget restraints.

However, that shouldn't get you down, as the new wave of summer shows is fast approaching with plenty to offer the sci-fi and/or fantasy viewer. On June 30,for example, the second season of Under the Dome rolls out with an episode written by the big man himself Stephen King. Now I know that the first time out, this series had a few awkward moments and a couple of missteps but it was intriguing to watch. Even for those who read the book it was based on(that includes me!), UTD offered some surprises and food for thought, so tuck in your napkin and let the funky feast begin:

Another based on the book series debuting around the same time is The Leftovers, with HBO taking Tom Perrotta's novel about the world dealing with the aftermath of a possible Rapture.

The story picks up at the three year anniversary of that strange event in which two percent of the world's population suddenly vanished without a trace or clue of what's to come.

  Most people have become the emotionally walking wounded while others have founded a cult of silent white clad followers awaiting the rest of the "end times" to start up. The cast is pretty solid, with the likes of Justin Theroux, Amy Brenneman, Christopher Eccleston and Liv Tyler on board and having Damon Lindelof as the showrunner here is another good sign of things to come:

For July, Halle Berry headlines a sci-fi suspense series entitled Extant, where a female astronaut returns from a year long solo mission in space to find herself pregnant by an unknown source.

Granted, this could easily turn into a Rosemary's Baby meets Alien kind of deal but the more I see the promos for this show, the more I am intrigued.

 In this trailer alone, there does seem to be a hint that this new life form may not be a direct threat to humanity unless of course, you're someone in authority out to manipulate extraterrestrial contact for less than benevolent purposes.  At the very least, I am willing to give Extant a fair shot:

Even August holds promise as Starz premieres the time traveling historical romance series Outlander, based on the novels by Diana Gabaldon.

Having finished the first book in that series(and planning to take up the second one,Dragonfly in Amber,as part of my summer reading), I am just as eager as long time fans of this story where WWII nurse Claire winds up stepping back into ancient Scotland and meeting her true love of more than one lifetime. Oh, how hard it is to wait!:

So I wish you all a Happy Memorial Day weekend( that does sound odd in context, doesn't it?) and hope you enjoy this first frolic in the summer media fun. Oh, and do keep in mind that we have plenty of fantasy TV to look forward to this fall such as Constantine, which harkens back more to the original comic book version of this snarky Brit blonde supernatural detective than the big screen Keanu Reeves take a few years ago(I do like the Reeves one but bad boy Brits are my weakness):

Tyrion and Sansa's troubles on GOT,Mad Men's strategy and Judge Judy Primetime!

I know that Tyrion's upcoming trial by combat is not the only pressing matter on Game of Thrones this week but it is a very serious plot thread that can not be ignored.

In trying his luck at this gambit again,Tyrion has more difficulty in choice of champion since Jaime is still unable to fight well enough with one hand and his old buddy Bronn was offered a rather cushy deal by way of marriage to decline(he and Tyrion at least parted on reasonably good terms).

A most unexpected ally declared his intention,Oberyn Martell,who is looking forward to battling Gregor Clegane aka The Mountain. His motive is revenge against the man who carried out the brutal orders to kill his sister and her children, a worthy goal but one that may be hard to achieve no matter the intensity of his desire. Then again, Tyrion has had luck before with unusual acquaintances, so we shall see(not for a couple of weeks,due to the show taking a mini break for the holiday weekend):

Meanwhile, things are not going well for Sansa as her hideout in the Eyrie is far from safe. Her Aunt Lysa caught Littlefinger attempting to kiss her niece and like so many jealous women before her, blamed Sansa for that action.

Her fury nearly cost Sansa her life as Lysa came close to tossing Sansa out the Moon Door but she wound up taking that last flight instead, thanks to her faithless husband(but not before mentioning her part in poisoning certain people). Poor Sansa, this girl is beyond jinxed but you have to give her kudos for slapping that creepy little cousin of hers. Arya may be the smartest Stark gal of them all by strictly dealing with men at the point of her sword:

We're close to the end of this half of the final season on Mad Men and there are a lot of balls in the air,as the partners are scheming against one another. However, let's just focus on Peggy and Don, who were still at loggerheads with the Burgerchef account as well as each other.

Don is more concerned with playing his own game of ball than realizing Peggy's increasing frustrations at work, which she takes out on others in typical Don Draper fashion. Eventually, the two of them manage to find a quiet moment where they can simply take a break from the office tensions and just be themselves. It lead to a nice reconciliation between them and a lovely dance number to boot. The love between them is not romantic but it is all the more touching for that:

A special treat for fans of daytime TV courtroom shows was Judge Judy Primetime that aired this past Tuesday night. The formidable lady of the lace collar did her regular show,along with clips of her well known catchphrases and a replay of both 60 Minutes profiles on her career.

Granted, Judge Judy was not the first person to have a syndicated civil court series( I believe that honor goes to The People's Court, which is still on the air with it's fourth judge Marilyn Milian presiding) but it's definitely the one that comes to mind when anyone mentions this genre. Why is this series so successful, some may still wonder but it is clear that when it comes to tough talking justice, Judge Judy is the mother of dragons here.

Yes, I am a huge JJ fan-confident women who are verbal straight shooters with a firm base of knowledge to back them up are my idols in life and obviously for many others as well. You may not always agree with her verdicts but the lady is fair in her rulings(even to people she out and out dislikes). This primetime special was fun and while I would've liked to have had an interview with Officer Bird(her right hand man who takes no guff either) included, this was a good time had by all, except for some of the litigants, of course:

RANDOM NOTES:

TRUE BLOOD: The final season is set to air by the end of June and it looks like a gruesome winner take all situation for the folks in Bon Temps. Don't know how this will wrap things up but I'm willing to watch until the very last drop of gory drama is poured at Merlotte's:

Tim Hanley explores the wonders of Wonder Woman Unbound

When it comes to DC Comics and their vast array of superheroes, the top three most well known names that quickly come to mind for most people are Batman,Superman and Wonder Woman.

 The last on this list is the subject of comic book historian/blogger Tim Hanley's new book, Wonder Woman Unbound, which gets into the interesting social history behind this Maiden of Might. The subtitle,"The Curious History of the World's Most Famous Heroine" aptly describes the dubious fame of Wonder Woman.

 Unlike her male counterparts(in Marvel as well as DC), she has the least number of film and TV adaptations and is often shoved into a supporting role when she is included. From the early years of her original conception in the 1940s by William Moulton Marston, she has been misunderstood and set up to channel certain ideals that some of her fans would be rather surprised to discover.

 For example, that magic lasso that compels the captured person to tell the truth? Many took that weapon of Wonder Woman's as a version of the lie detector machine that Moulton invented but that's not what he had in mind( it could be considered a Georgia O'Keefe reference, let's just say). Marston intended for Wonder Woman to be the vehicle that would introduce the notion of female superiority to men, complete with bondage imagery that did raise a few eyebrows, yet unknowingly gave women of that time period a champion of their own:

During the comic book culture clash of the fifties, Wonder Woman had to be made over in a more "family friendly" tone that highlighted the tortured romance between her and Steve Trevor to degrees that gave the book a soap opera flair.

 A revamp during the 1960s rendered Wonder Woman powerless and had her Diana Prince persona become a violence prone avenger,breaking away from the more peaceful solution heroine she had been since her beginnings. That change turned off readers and encouraged the growing feminist movement of the 70s to adopt her as their icon and demand a return to her original Amazon roots(while ignoring the questionable images and ideals of her creator).

Her story lines waxed and waned in the comic books over the years but the character seemed to be best served(not without flaws,of course) by the late seventies TV show version of Wonder Woman played by Lynda Carter. To this day, it's the best known source of the general public's knowledge of the character and has yet to be equaled:

 What is great about Tim Hanley's approach to Wonder Woman is that he expands the focus on the character in context, with looks at the philosophy of her creator, the social changes that influenced the direction she was taken in during certain times and a compare and contrast with other females in comic book history.

From how Lois Lane was treated poorly by Superman during most of the Golden and Silver Ages(and not just him,plenty of super bad boyfriends out there) to the rise of Bat Girl in the modern era who had the edgy flair that Wonder Woman should have received, Hanley engages the reader with his smartly written take on the subject matter that's backed up with facts and figures that enhances his views as well as gives the material the respect it deserves:

I first learned about this book at Smart Bitches,Trashy Books, thanks to a great review by Carrie Sessarego( who also did an excellent interview with the author at her own blog, Geek Girl in Love) and I hope my two cents added in here encourages more people to check out this amazing book.

As a fan of Wonder Woman since the Lynda Carter/Super Friends days, it pains me that there is still not a viable film version of her out there.

 Even with the promise of WW being part of the upcoming Superman/Batman movie in the works right now, she ought to be much more celebrated than she is in the wider media realm. Perhaps this book will be one of the pivotal stepping stones that brings this Amazon princess closer to the cinematic throne that awaits her:

Tyrion's trial on GOT, an unpleasant present for Peggy on Mad Men and the awesome finale of Marvel's Agents of S.H.I.E.L.D.!

Quite a bit of negotiation went on for many of the folks on Game of Thrones this week,with the main focus being on Tyrion's regicide trial.  No one was expecting true justice in this case but  seeing how truly high the deck was stacked against his brother, it was good of Jaime to at least try and convince Tywin not to go for the death penalty here.

 It wasn't too surprising the number of witnesses against him or their dubious version of the facts(particularly that creepy old Maester) and perhaps Tyrion might have taken the deal his father and Jaime had worked out there if not for the appearance of Shae on the stand:

Having Shae twist his words and their relationship in public like that was too much of a blow to bear(Cersei is such a vindictive bitch) and while Tywin may have thought that this extra dollop of humiliation would be enough to bend Tyrion to his will, he vastly underestimated his son on this.

I remember reading this section in the book(A Storm of Swords) and actually cheering Tyrion on as he spoke truth to power when he declared that his "real" crime according to all the world was in being a dwarf. Yes, Peter Dinklage is getting plenty of Emmy talk based on this speech and rightly so, but trust me when I tell you that he and this character have more of a rough row to hoe before all is said and done:

While Don made some strides towards getting his mojo back on Mad Men (and not picking up on the desperate attention needing signals from his wife as usual), Peggy had to handle some frightening fall out from the new computer at work.

Michael Ginsburg has been a troubled character from Day One of his time here on the show and as things went on, you did hope that his occasionally chaotic mental state wouldn't get the best of him.

However, that computer tapped into the darkest parts of his inner turmoil and at first, Peggy thought he was having one of his regular freak outs but when he walked in to her office and handed her that gift box, she knew right then and there that this was a completely different deal. Poor Ginsburg, this is truly sad yet not wholly unexpected:

The Season One finale of  Marvel's Agents of S.H.I.E.L.D. was excellant in so many ways, it is hard to count. However that will not stop me from making a brief rundown of what I felt worked the best and the least so here goes nothing:

ALL GOOD

 Coulson taking charge and by the end, put in charge of rebuilding S.H.I.E.L.D.

Ward not being redeemed by love of Skye(who is so over him) and receiving a serious stomping from Melinda May(nice touch with the nail gun to the foot there!)

Tripplett becoming a new member of the team-the guy is smart,funny and not bad on the eyes either:)

Fitz using his scientific genius to save Simmons with a little self sacrifice thrown in for extra good guy credit(get well soon there,buddy!)

Every second of Nick Fury on screen

NOT SO BAD

Garrett going totally over the top psycho wacky after his injection of that super healing juice( did enjoy that teaser bit when he appeared to be coming back from the dead only to have Coulson zap him into oblivion)

Deathlok having a shot at redemption,along with some payback(J. August Richards is a great actor and I hope this character shows up in the next round of Marvel movies as well as on this show)

Regina the flower girl having quite a hidden agenda that seems to be a big part of next season(like her subtly sly style and interested in the possible Inhumans plot line that may be unraveling for S2)

COULD DO WITHOUT:

Patton Oswalt's return to the series(it was nicely done but not really essential to the state of things in my humble opinion)

In the fall MAOS will return along with another Marvel based series called  Agent Carter, which takes a character from the first Captain America movie(who was also briefly seen in The Winter Soldier) and continues her adventures during WWII.

 How that series will impact the second season of S.H.I.E.L.D. is uncertain but I for one am willing to check it out and happy to make mine Marvel on Tuesdays to come, especially if Melinda May gets to kick more ass:

 

RANDOM NOTES:

EXTANT: Not much is being said about this upcoming summer series starring Halle Berry as an astronaut that returns from a year long solo mission in space pregnant. Could be interestingly fun or an interesting flop-either way, it might be worth a look see at least once here:

Louie and the Fat Lady Conversation

Now, I don't watch the TV series Louie(although I am very familiar with it's star Louis C.K. and his style of comedy) but have heard great things about it. I mainly haven't seen it because there is usually another show that I'm already into up against it in that time slot.

However,one of the more recent episodes has created quite a stir at the pop culture water cooler today and since it has to do with a subject that I have personal experience with, my two cents on the matter feels warranted on this occasion.

  As some of you may know, I'm a plus size woman( or fat, if you prefer) and have commented before here on how large ladies are depicted in society.

 This episode of Louie,entitled "So Did the Fat Lady", hits upon the whole social stigma of guys dating fat women, in particular with an excellent speech by actress Sarah Baker(playing a waitress that Louie has a reluctant relationship with) where she asks him the question that many of us big girls would like guys to answer-"Why do you hate us so much?"

It's a fair question, given the trope of the Sexually Easy Fat Girl that pervades both film and TV. Before any of you fellas start complaining that "Hey, it's hard for big guys,too!", let me ask you this: have you ever heard a woman on either a TV show or in a movie talk/joke about hooking up with a fat man at the end of the night and how not difficult it was to get him into bed? No, you can't think of one time? Well, that's because it doesn't happen,ever!

I can recall the first time that I learned of this particular notion,courtesy of Andrew Dice Clay back in his heyday. Yes, he was an equal opportunity slinger of crud but believe me, his bit about luring a fat girl into the sack with a box of Twinkies made quite an impression on me at a young age and I'm dead certain that I'm not alone in that.

Art in any format is a reflection of social attitudes and I was taught by the media early on that sexuality and fat women go together like unsalted peanut butter and sewage. Two questionable tastes that definitely don't taste great together.

That may sound harsh but it's one of the big reasons that I have never attempted to have a romantic relationship-I did not want to be the Slutty Fat Girl. Don't worry, I'm not about to get all auto bio here, but it needs to be said that a lot of this negative perception of an overweight woman's sex appeal has been strongly reenforced by pop culture.

 At best, sex with a fat girl is seen as a joke, mainly an embarrassing moment in a guy's life that he would rather not talk about too much and never meant to lead to anything more than a cheap one night stand:

I'm also not letting women off the hook either. We are our own worst enemy at times and even with all the strides women have made in the media, one of the most prevalent nightmare images for females is being fat.

Part of this ridiculousness comes from insisting that even normal sized actresses like Mindy Kaling are grossly overweight and the constant focus on body size determining a woman's worth. Granted, women can be a little more subtle about it but one weapon that always seems to be in their arsenal whether it's a fictional or a reality show is that being fat is a woman's worst fault:

 So, I want to give credit to Louis C. K. and Sarah Baker for getting the ball rolling again on this topic. It would be nice to have an open and honest conversation about why fat women are still bearing the brunt of pop culture fury and how we could change all of that in both the real as well as the imaginary world we all live in.

I may be naive but I would like to think that there may come a time in our society where such ideas are only seen as antiquated customs of the distant past, like some of the things we see on a series like Mad Men. I long for a world where a women's worth in any aspect of her life is not measured in pounds and her personal happiness is not limited to numbers on a scale. Pop culture can't change everything bad in our world but it can nudge us towards a better tomorrow: